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Entrevista - Socrates Adams




Hace unos días tuve la oportunidad de entrevistar via Email, al escritor Socrates Adams (1984). Su novela Todo Va Bien es un claro reflejo actual  de la vida de un empleado de oficina. Es un libro muy bueno con toques de humor y locura. En la entrevista hablamos sobre su libro Todo Va Bien, su estilo de escritura y un ligero vistazo a su generación




Entrevista
Nota: Por respeto a las palabras exactas del autor la entrevista se queda en su idioma original. 

Blackcat: Your style of writing is different, you write in fragments. You write the necessary to keep moving the story. I like this style because you remove all the unnecessary actions and description. Why you choose this style?

Socrates Adams: Ok, I feel as though maybe when I wrote Everything's Fine I'd been strongly influenced by many internet writers who I'd gotten into through reading blogs and chapbooks etc. That most likely was something that shaped the way the book was written. It wasn't necessarily however a conscious decision to write in a particular style; in a way I'd say that maybe neither I nor anyone else really has any choice over the way in which they write. It's interesting to think of actions and descriptions which haven't been described as unnecessary. I don't know for sure that they weren't. I'm sure I missed out on plenty of things which might have made the novel better.

Blackcat: Many writers born in the blog. One of the characteristics of your generation is that live very quick, live in a world that needs to communicate very quickly (eliminate all the unnecessary). You think that this characteristics influence in writers?, you think that one of the best characteristic of the writers that has this style is the capacity to condense a powerful idea in one phrase.

Socrates Adams: I suppose that I think that every element of existence which is experienced by everyone who is alive influences people who write. I don't really know what the best characteristics of writers are. I don't mean to be obtuse, I just feel as though I am not qualified or knowledgeable enough to know what is important to other writers. I think that it's important for writers to be able to convey ideas with subtlety and efficiency, for sure. Although having said that, when I examine what those words really mean to me, I struggle to articulate cogently exactly why it is that I feel they would have any bonus to writers, other than the idea of, maybe, trying to combat boredom in the mind of a reader. I feel like, and maybe it's just because I seem to be writing longer things now, it's more exciting to convey a powerful idea in a long, richly textured, drawn out, painful, almost boring way.

Blackcat: The phrase Every is Fine is very powerful, because in my opinion describe the desire of the people of ignore all the problems. They need to ignore their problems because the people know that they can´t fight with the system, this phrase help them to survive (is a way to enter in a virtually). What you think? Why you think that the people that work a lot is very passivity and choose to hide in the material things (consume of things for example technology)? 

Socrates Adams: Yes, definitely when I wrote the book, Everything's Fine was a phrase which it felt as though someone would whisper to themselves while their life fell apart around them. I think that Ian, the main character of the book, is both fully aware of the terrible situation he is in, and also at the same time, has no idea how bad things really are. Maybe that doesn't make sense. What I mean is that he is in the same kind of weird duality as all of us, which comes down to the absolute classic 'I know my life is meaningless but I'm going to live it pretending it's not' syndrome. I am maybe more mellow about things nowadays. I feel as though if someone wants to become obsessed with material things and technology etc then that is absolutely fine and that any path through life is equally valid and brilliant as any other. I am sorry that I'm rambling and not making much sense.

Blackcat: Mildred is a great character, for you, what represents Mildred? Is It reflects our attachment to material things? or is it how to replace the person something material? 

Socrates Adams: Mildred really, for me, came out of the idea that sometimes it feels as though it's easier and more fulfilling to look after someone/something else rather than yourself, and in a way, it doesn't matter what the thing you're looking after is. I don't know whether I feel as though she reflects our attachment to material things, but I feel as though if someone else feels that she might in some way reflect that, then she totally does.

Blackcat: The figure of the boss is a great description of how now the work is in any moment of your life. I think that this is a great critic of the capitalism. The capitalism requires you to produce more and more to the point that you ignore your personal life, at the end of this effort anybody (boss, company) how you feel or if you are close to dead. What you think about you’re your character of the boss. 

Socrates Adams: I just feel really sorry for the boss and I want to give him a hug and tell him everything's OK and help him to be happier just the same as I'd like to do to everyone alive everywhere. Everyone has strange pressures put on them by life and capitalism is just maybe an expression of existence and I wish often that we could inhabit each others' minds in order to better understand each other, but with luck in the future we will be some kind of totally empathetic hive-mind anyway.

Blackcat: How you describe the writers of your generation?

Socrates Adams: I think that they are the same as the writers of every generation except maybe greater in number, but only perhaps because there are more of us as a species alive and affluent enough (and by that I mean not in immediate threat of death) in order to consider writing.

Blackcat: What you think about the auto publishing, eBooks and the digital stores of books?

Socrates Adams: I think that all of these things are fine although I personally prefer to read physical books. I think all change is natural and to fight against it is maybe fruitless.

Blackcat: Are you working in a new project?

Socrates Adams: I'm currently editing a new novel called The Sea Bed. My second 
novel, A Modern Family, was published a couple of years ago in the UK by Bluemoose Books.

Blackcat: Could you recommend me some writers of your generation?

Socrates Adams: Sam Pink, Chris Killen, Anneliese Mackintosh (my wife), Joe Stretch, Crispin Best, Ben Brooks, Noah Cicero. I have missed out on a lot, most likely :)


Socrates Adams: Sorry about my weird answers. I've never had any media training, so I guess I'm something of a maverick.


Blackcat: Thanks Socrates for your time.

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